Black and Blue, by Anna Quindlen

Black and Blue by Anna Quindlen
My rating: 5 of 5 stars

There are writers who can handle tough subjects beautifully. Anna Quindlen is one of these writers. In her book Black and Blue, she tackles domestic violence in a way that doesn't sugar-coat it, telling how it affects all those involved.

Fran Benedetto is a nurse and battered wife, married to Bobby, a New York City police officer, and the mother of Robert, a boy who has learned to keep quiet. Fran's life appears normal, at least to those around her. Her secret is the horrific abuse Bobby puts her through, forcing her to leave her job, pack a scant few items, and, with Robert, go into hiding in Florida, changing their names in the process. Now Beth and Robert Crenshaw, they live in a rundown duplex. Fran/Beth is now forced to work as a home health aid, rather than as a nurse, in an effort to stay under the radar. Eventually, though, Bobby finds her, savagely beats her, takes Robert with him, then goes into hiding, himself.

Yet, throughout the book, with its horrible undertone of abuse, Quindlen is able to write Black and Blue as calmly as though writing about the weather. It is in the words she chooses to use and the way she has Fran Benedetto/Beth Crenshaw tell her story that we learn feel and experience the undercurrents of Fran, Bobby, and Robert's lives, as well as the lives effected by being in proximity.

Anna Quindlen's Black and Blue is well worth reading.

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Rise and Shine, by Anna Quindlen

Rise and Shine by Anna Quindlen
My rating: 4 of 5 stars

Some books are enjoyale enough that it's easy for one to reread. For me, Rise and Shine by Anna Quindlen is one of those books.

Bridget Fitzmaurice is a social worker who lives in her sister Meghan's shadow. Meghan is the popular host of Rise and Shine, "the country’s highest-rated morning talk show," until the Monday morning when she says several forbidden words into an open mic.

Within days, Meghan is off the air, has had her marriage implode, and finds her life falling apart.

Bridget's life gets difficult, too. She becomes pregnant by her much older boyfriend, who doesn't want kids. She also helps Meghan's son, Leo, get a summer job, where he is shot and left paralyzed. The book then ties all these loose ends together in a realistic way.

The characters in Rise and Shine are believable, quirks, warts and all, making it a satisfying read.

If you're looking for a good read, Anna Quindlen's Rise and Shine is one to check out.

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One True Thing, by Anna Quindlen

One True Thing by Anna Quindlen
My rating: 4 of 5 stars

When Ellen Gulden visits her parents' home for a few days, she does not expect her life to drastically change. But that is exactly what happens in One True Thing by Anna Quindlen.

Ellen has a successful career as a magazine writer in New York City that suits her perfectly. During her visit home, she and her brothers learn that their mother, Kate, is dying of cancer. Their father, George, lets Ellen know that he expect her to leave her job to come home and care for Kate, as no one else will do; her brothers are still in college, George, a professor at a local college, cannot take time off, and demands that Ellen is the one who will care for Kate. Ellen resists, but, in the end, is back soon to care for Kate.

The first part of One True Thing shows the interactions of the two women, one who is driven to the point of having been described as "the girl who would walk over her mother in golf shoes," the other a homemaker to perfection. Ellen has always lived for her father's approval, while rejecting her mother's traditional life. Yet she comes to realize that there is much more to her mother than she had realized.

As part one progresses, so does Kate's cancer, so that at the end of the first part, she finally passes away...with a little help.

Part two of the novel details the aftermath of Kate's death. Ellen is arrested, as the district attorney (along with others in town) thinks that Ellen has performed a mercy-killing of her mother, for several reasons: she was Kate's primary care-giver, an autopsy showed that Kate had enough morphine in her system to kill her (morphine having been prescribed to keep her pain to a manageable level), and, years earlier, a then 15-year-old Ellen had written that euthanasia should be legal; if we put a terminal pet to sleep, why not people?

Of course, Ellen didn't do it; she suspects her father did. We read where Ellen stays, how she deals with a grand jury, how she mistakenly believes her father helped assist Kate in dying, and, in the end, how it turns out both were wrong: neither one killed Kate.

One True Thing may sound morbid, and while part of the story's premise - dying of cancer - may be difficult, the book is actually beautifully written and shows how the two main characters (Ellen and Kate) grow closer because of the horrible circumstances. Anna Quindlen has taken what could be a difficult premise and used it to skillfully write a beautiful story of love, strength, and the idea that things are not always as they appear. It is a book to be read again and again.

View all my reviews

One True Thing, by Anna Quindlen

One True Thing by Anna Quindlen

My rating: 4 of 5 stars

When Ellen Gulden visits her parents' home for a few days, she does not expect her life to drastically change. But that is exactly what happens in One True Thing by Anna Quindlen.

Ellen has a successful career as a magazine writer in New York City that suits her perfectly. During her visit home, she and her brothers learn that their mother, Kate, is dying of cancer. Their father, George, lets Ellen know that he expects her to leave her job to come home and care for Kate, as no one else will do; her brothers are still in college, George, a professor at a local college, cannot take time off, and demands that Ellen is the one who will care for Kate. Ellen resists, but, in the end, is back soon to care for Kate.

The first part of One True Thing shows the interactions of the two women, one who is driven to the point of having been described as "the girl who would walk over her mother in golf shoes," the other a homemaker to perfection. Ellen has always lived for her father's approval, while rejecting her mother's traditional life. Yet she comes to realize that there is much more to her mother than she had realized.

As part one progresses, so does Kate's cancer, so that at the end of the first part, she finally passes away...with a little help.

Part two of the novel details the aftermath of Kate's death. Ellen is arrested, as the district attorney (along with others in town) thinks that Ellen has performed a mercy-killing of her mother, for several reasons: she was Kate's primary care-giver, an autopsy showed that Kate had enough morphine in her system to kill her (morphine having been prescribed to keep her pain to a manageable level), and, years earlier, a then 15-year-old Ellen had written that euthanasia should be legal; if we put a terminal pet to sleep, why not people?

Of course, Ellen didn't do it; she suspects her father did. We read where Ellen stays, how she deals with a grand jury, how she mistakenly believes her father helped assist Kate in dying, and, in the end, how it turns out both were wrong: neither one killed Kate.

One True Thing may sound morbid, and while part of the story's premise - dying of cancer - may be difficult, the book is actually beautifully written and shows how the two main characters (Ellen and Kate) grow closer because of the horrible circumstances. Anna Quindlen has taken what could be a difficult premise and used it to skillfully write a beautiful story of love, strength, and the idea that things are not always as they appear. It is a book to be read again and again.

View all my reviews

Anna Quindlen: Black and Blue, One True Thing, Rise And Shine, Blessings, Every Last One

Note: This is a rerun from January 19, 2013.

After reading most of Anna Quindlen's books, I want to know this: How does Anna Quindlen do that?

Now, before you ask, "Do what?", here's the what: How does she managed to turn the most intense, earth-shattering experiences into a novel without making it earth-shattering to the world?

Huh?

Okay, let me clarify this. In each of her novels, the main characters are living their lives, flowing along like a gentle stream, when something suddenly, sometimes catastrophically, explodes their lives into a thousand pieces, while barely making a blip in the world around them. True, there are ripples in the water of their lives, as in real life: a car accident caused by a drunk driver doesn't affect simply the people in the other car who are hurt, it also affects the drunk driver's family, friends, and possibly coworkers. But in the overall scheme of things, these experiences and happenings don't have the larger scale impact of, say, the 9/11 attacks or the falling of the Berlin Wall.

I read my first Quindlen novel shortly after its release. In Black And Blue, Fran Benedetto is a nurse and battered wife, married to Bobby, a New York City police officer, and the mother of Robert, a boy who has learned to keep quiet. The book tells how Fran's life is normal, at least to those around her. Her secret is the horrific abuse Bobby puts her through, forcing her to leave her job, pack a scant few items, and, with Robert, go into hiding in Florida, changing their names in the process. Now Beth and Robert Crenshaw, they live in a rundown duplex. Fran/Beth is now forced to work as a home health aid, rather than as a nurse, in an effort to stay under the radar. Eventually, though, Bobby finds her, savagely beats her, takes Robert with him, then goes into hiding, himself.

Yet, throughout the book, with its horrible undertone of abuse, Quindlen is able to write Black And Blue as calmly as though writing about the weather. It is in the words she chooses to use and the way she has Fran Benedetto/Beth Crenshaw tell her story that we learn feel and experience the undercurrents of Fran, Bobby, and Robert's lives, as well as the lives effected by being in proximity.

In One True Thing, the Gulden family come across as a loving middle-class family, replete with college professor father, homemaker mother, a daughter, two younger sons. On the surface, the Guldens seem so normal, living normal lives: daughter Ellen, whose voice tells the story, has finished college and taken a job in New York City, while her brothers live at home and try to finish school.

The event that rips the Gulden family's life apart is a cancer diagnosis. Ellen comes home for a few days to find that her mother has been ill for quite some time. Her father, who has to work and is unable to care for Ellen's mother, demands that she quit her job and move back home to care for the family, which understandably causes tension throughout the entire household. When Mrs. Gulden dies, Ellen is suspected of murder; she suspects her father killed her mother, but in the end, suspects the truth.

One True Thing is also written in such a way that the reader feels like part of the action, part of the family; it is almost as if Ellen is telling the reader personally, "Remember when you and I came home? This is how I saw it." The reader is there, digging in, experiencing the roller-coaster ride without realizing, at first, how high or low the ride is going. It is simply life at its most basic.

Quindlen's book Rise And Shine details a morning show anchor and her social worker sister, the "fighting Fitzmaurices," as the former's soon-to-be ex-husband calls them. Meghan Fitzmaurice utters two words that get her into trouble from the network. Soon, she is without a job, her husband has decided to file for divorce (apparently the weekend before Meghan mutters "f#*king a**hole" under her breath - but loud enough for the mics to pick up), her sister Bridget is struggling with work and an unplanned pregnancy while in her early forties...But what really explodes is when Meghan's son Leo is shot and left paralyzed while volunteering for the group where Bridget works as a social worker.

In Blessings, a teen-aged couple drives onto Lydia Blessing's estate late one night and leave a box by the door of the garage apartment where estate caretaker, Skip Cuddy, stays. In the morning, Skip finds the infant and decides to care for the child. Soon, Lydia learns of the infant; the story tells how the baby changes the lives she touches, without being aware of it.

Finally, I found Every Last One to be Quindlen's most startling novel. Mary Beth Latham is a mother who owns her own landscape business. Mary Beth and her husband have three children: a daughter and twin sons, one of whom becomes depressed. Mary Beth focuses on this son, but is soon blindsided when a boy who has hung around her family breaks in and murders her husband, daughter, and one son before taking his own life. The other son had been away with friends on a weekend trip; at first, since he wasn't at the house, he is temporarily considered a suspect. Mary Beth, who was also brutally beaten in the attack, somehow manages to survive.

Eventually, Mary Beth and her remaining son move in with friends, then sell the house that their family was destroyed in so that they can get away from the horrible memories, or, rather, as much as one can.

As with her other novels, Quindlen has taken Every Last One, describes a normal family living the normal life before having a horrific act destroy their lives. The remaining characters are now left to try to carry on while dealing with so much: the horrors they've experienced; the murderer's mother who calls Mary Beth, blaming her for the horrors of her son's actions; knowing that, while others around them will go on with their own lives, she and her son will have to reinvent their family while trying to heal.

Most of us have learned in English and/or lit classes that a story must have some obstacle that needs to be dealt with to be worth telling and to keep the readers' interest. The best authors - the ones we continue to go back to time and again - have learned how to do this. Anna Quindlen is one of those authors who can slip that obstacle in the way it appears in real life: one moment, life is normal, the next moment, it isn't. A spouse if abusive and the other spouse goes into hiding; a daughter comes home for a weekend, only to discover a parent's terminal illness; a mic is left open a second too long and a bullet finds its target; a pregnancy; a murder. Yet, after that obstacle, Quindlen shows us how those left to deal with the aftermath deals with it.

I seriously hope Anna Quindlen is working on another novel; chances are, it'll be a keeper.

Lots of Candles, Plenty of Cake

Lots of Candles, Plenty of Cake, by Anna Quindlen; 4 of 5 stars

Anna Quindlen has a knack for making the mundane interesting, letting the reader know that every day stuff is both universal yet individualistic. Her book Lots of Candles, Plenty of Cake is no different. A former New York Times columnist, Quindlen has written essays here that explore different facets of women's lives.

In her essay Advice to My Younger Self, Quindlen writes, "It’s nothing short of astonishing, all that we learn between the time we are born and the time we die. Of course most of the learning takes place not in a classroom or a library, but in the laboratory of our own lives...[These lessons are] clear only in hindsight, frequently when some of its lessons may not even be useful anymore." That is how life is for all of us, yet it takes a true wordsmith to write this truth so succinctly.

While I've loved Quindlen's fiction since stumbling upon Black And Blue years ago, this was one of my first forays into her essays. As I read Lots of Candles, Plenty of Cake, I found myself occasionly thinking, "Yes! That's it exactly!" In her essay Faith, she mentions that when we're kids, days seem to fly by while the years crawl but that when we're older, it's the reverse: the days crawl by as the years fly. While I'd instinctively known this, I'd never given it much thought. For most of us over a certain age - well beyond our teens - all we have to do is look back over our lives to realize how true this is.

Well worth the read.

View all my reviews at Goodreads.com.

Repost from Life In the Left-Hand Lane

This is a repost from one of my other blogs, Life in the Left-Hand Lane (http://life-in-the-lelft-hand-lane.blogspot.com), dated December 29, 2012:

I love to read. Always have. I blame my parents, in a good way. Between bedtime stories, watching both Mom and Dad reading a wide variety of books in their spare time, and receiving books for birthdays, Christmases, and just because, I learned that books were to be explored and enjoyed. A person can learn a lot from books.

It was on one website that I frequent that I learned about another cool site called Goodreads http://www.goodreads.com. Maybe you've heard of it. Or not. But on Goodreads, a reader can keep track of books she or he has read, is currently reading, wants to read (oops, must add the Narnia series!), learn about what others are reading, what others feel are must reads and what can be passed on. One can connect with friends on the site and get emails when books (and comments on these books) are added to friends' lists.

At the moment, I'm reading several books, a habit I got into as a kid during summer vacation. Getting home after the last day of school, I'd grab a stack of five books, read the first chapter of the first book, stick in on the bottom of the stack, read the next book's first chapter, then the next book...You get the idea. When I'd finish one book, it would go back on the bookshelf, another stuck into its place, and the reading would go on. By mid-summer, I might be on chapter one in one book, chapter ten in another, five in the third...Drove my mother crazy.

"How do you keep all the stories separate?" she'd ask. Just do, I'd tell her. She'd wander off, sighing, happy, I'm sure, that at least I was reading.

"I wouldn't worry about it," my grandmother told her when she relayed it during one of Grandma's visits. "I used to that all the time." Then, as an afterthought, she added, "I still do." If it was good enough for Grandma...

Two of the books I'm currently working on are Seasons of Real Florida, by Jeff Klinkenberg, and Lots of Candles, Plenty of Cake, by Anna Quindlen. Both are interesting reads, similar in some ways, way different in other aspects.

Klinkenberg's Seasons..., as with his other books, is a collection of his columns first published in the Tampa Bay Times (formerly the St. Petersburg Times). He introduces the reader to all sorts of interesting characters and Florida locales. His writing makes the reader think that Klink has the perfect job: wander the state, meet cool people, see cool places, and then write about them. Jeff, if you ever decide to retire, please put in a good word for me at the Times!

Quindlen's Lots of Candles... is also a collection of short essays. (She wrote for the New York Times for several years; several of her non-fiction books are collections of some of these essays.) Her essays tend toward her observations on life.

In one of the essays in Lots of Candles..., she mentions being a control freak, to the point of having a local anesthetic when having a hysterectomy. The surgeon, knowing a control freak when she saw one, told Quindlen that she would not be allowed to talk while the surgery was going on. I really had to laugh while reading Quinlen's description of being a control freak, as I've been there. I, too, tend to be a bit of a control freak, as well as a bit of a slob.

An aside: When Paul was alive, he played Felix Unger to my Oscar Madison; we used to joke that if anyone ever did a remake of The Odd Couple using a married couple, we'd be perfect. While I'm not enough of a slob to be on an episode of Hoarders, it's only because I am a control freak. And maybe the two apparent opposites feed into each other: I can never keep my home as neat as my mom used to, or as neat as I'd love to, so why bother? But then the control-freak-ness kicks in and...

There have been times when I've been in my friend Kevin's cab and told him that I wanted to go somewhere, then proceeded to tell him exactly how to get there. Kev will usually give me a look and ask who I think is doing the driving. If I mention wanting to be in control, he'll tell me that I'm simply neurotic. Nothing like having someone know you too well...

Kevin reads a lot, too; over the years, I've noticed numerous books in his cab. (Cab driving does give one down time between calls.) He's recommended several books, and I've told him about several, even handing him a copy of Elie Wiesel's Night, a book he devoured in a day or two before passing it on. (It was an extra copy and I'd told him to pass it along.)

Paul was a reader, too, liking a variety of books from Tom Clancy and mysteries to short stories. But there were several times when I'd buy a book for myself, put it on the table, then not be able to find it later. "Oh, I started reading it," Paul would say. "You really need to read this: it's great!"

We'd discuss books, what we were reading, what stood out in the book, what inspired us for a variety of reasons...

It's a rainy Saturday, the last weekend in the out-going year. I intend to do some house-cleaning (it's that control-freak thing), but I also intend to get royally lost in a couple of books. Will I read about more quirky Floridians? More Quindlen musings? AWOL on the Appalachian Trail on my Kindle? Who knows...maybe all three. It'll drive Mom nuts, but at least she'll take comfort knowing I'm reading!

Anna Quindlen

After reading most of Anna Quindlen's books, I want to know this: How does Anna Quindlen do that?

Now, before you ask, "Do what?", here's the what: How does she managed to turn the most intense, earth-shattering experiences into a novel without making it earth-shattering to the world?

Huh?

Okay, let me clarify this. In each of her novels, the main characters are living their lives, flowing along like a gentle stream, when something suddenly, sometimes catastrophically, explodes their lives into a thousand pieces, while barely making a blip in the world around them. True, there are ripples in the water of their lives, as in real life: a car accident caused by a drunk driver doesn't affect simply the people in the other car who are hurt, it also affects the drunk driver's family, friends, and possibly coworkers. But in the overall scheme of things, these experiences and happenings don't have the larger scale impact of, say, the 9/11 attacks or the falling of the Berlin Wall.

I read my first Quindlen novel shortly after its release. In Black And Blue, Fran Benedetto is a nurse and a battered wife, married to Bobby, a New York City police officer, and the mother of Robert, a boy who has learned to keep quiet. The book tells how Fran's life is normal, at least to those around her. Her secret is the horrific abuse Bobby puts her through, forcing her to leave her job, pack a scant few items, and, with Robert, go into hiding in Florida, changing their names in the process. Now Beth and Robert Crenshaw, they live in a rundown duplex. Fran/Beth is now forced to work as a home health aid, rather than as a nurse, in an effort to stay under the radar. Eventually, though, Bobby finds her, savagely beats her, takes Robert with him, then goes into hiding, himself.

Yet, throughout the book, with its horrible undertone of abuse, Quindlen is able to write Black And Blue as calmly as though writing about the weather. It is in the words she chooses to use and the way she has Fran Benedetto/Beth Crenshaw tell her story that we learn feel and experience the undercurrents of Fran, Bobby, and Robert's lives, as well as the lives effected by being in proximity.

In One True Thing, the Gulden family come across as a loving middle-class family, replete with college professor father, homemaker mother, a daughter, two younger sons. On the surface, the Guldens seem so normal, living normal lives: daughter Ellen, whose voice tells the story, has finished college and taken a job in New York City, while her brothers live at home and try to finish school.

The event that rips the Gulden family's life apart is a cancer diagnosis. Ellen comes home for a few days to find that her mother has been ill for quite some time. Her father, who has to work and is unable to care for Ellen's mother, demands that she quit her job and move back home to care for the family, which understandably causes tension throughout the entire household. When Mrs. Gulden dies, Ellen is suspected of murder; she suspects her father killed her mother, but in the end, suspects the truth.

One True Thing is also written in such a way that the reader feels like part of the action, part of the family; it is almost as if Ellen is telling the reader personally, "Remember when you and I came home? This is how I saw it." The reader is there, digging in, experiencing the roller-coaster ride without realizing, at first, how high or low the ride is going. It is simply life at its most basic.

Quindlen's book Rise And Shine details a morning show anchor and her social worker sister, the "fighting Fitzmaurices," as the former's soon-to-be ex-husband calls them. Meghan Fitzmaurice utters two words that get her into trouble from the network. Soon, she is without a job, her husband has decided to file for divorce (apparently the weekend before Meghan mutters "f#*king a**hole" under her breath - but loud enough for the mics to pick up), her sister Bridget is struggling with work and an unplanned pregnancy while in her early forties...But what really explodes is when Meghan's son Leo is shot and left paralyzed while volunteering for the group where Bridget works as a social worker.

In Blessings, a teen-aged couple drives onto Lydia Blessing's estate late one night and leave a box by the door of the garage apartment where estate caretaker, Skip Cuddy, stays. In the morning, Skip finds the infant and decides to care for the child. Soon, Lydia learns of the infant; the story tells how the baby changes the lives she touches, without being aware of it.

Finally, I found Every Last One to be Quindlen's most startling novel. Mary Beth Latham is a mother who owns her own landscape business. Mary Beth and her husband have three children: a daughter and twin sons, one of whom becomes depressed. Mary Beth focuses on this son, but is soon blindsided when a boy who has hung around her family breaks in and murders her husband, daughter, and one son before taking his own life. The other son had been away with friends on a weekend trip; at first, since he wasn't at the house, he is temporarily considered a suspect. Mary Beth, who was also brutally beaten in the attack, somehow manages to survive.

Eventually, Mary Beth and her remaining son move in with friends, then sell the house that their family was destroyed in so that they can get away from the horrible memories, or, rather, as much as one can.

As with her other novels, Quindlen has taken Every Last One, describes a normal family living the normal life before having a horrific act destroy their lives. The remaining characters are now left to try to carry on while dealing with so much: the horrors they've experienced; the murderer's mother who calls Mary Beth, blaming her for the horrors of her son's actions; knowing that, while others around them will go on with their own lives, she and her son will have to reinvent their family while trying to heal.

Most of us have learned in English and/or lit classes that a story must have some obstacle that needs to be dealt with to be worth telling and to keep the readers' interest. The best authors - the ones we continue to go back to time and again - have learned how to do this. Anna Quindlen is one of those authors who can slip that obstacle in the way it appears in real life: one moment, life is normal, the next moment, it isn't. A spouse if abusive and the other spouse goes into hiding; a daughter comes home for a weekend, only to discover a parent's terminal illness; a mic is left open a second too long and a bullet finds its target; a pregnancy; a murder. Yet, after that obstacle, Quindlen shows us how those left to deal with the aftermath deals with it.

I seriously hope Anna Quindlen is working on another novel; chances are, it'll be a keeper.

Why this blog?

I am a writer. According to certain relatives, I was born, not with a silver spoon, but a pencil in one hand and a stack of paper in the other. It did take a while to crawl my way to my mother's typewriter; it has only gotten worse since then.

One thing I've discovered over the years is that most writers are also readers. At least the best writers are. It's rather difficult to become a better writer without reading; you never really grow as far as you can without combining the two. Imagine a child just learning his or her alphabet, learning to print out the letters, and never learning to read. That child might question why have letters? What's the use of learning to make a capital A look different from a lower-case z, if there's no reading? That would be silly. And yet, for a writer to never read is just as far-fetched.

Granted, not everyone who reads writes, other than what is required of his or her job. But for someone who writes full-time, reading is fundamental. No matter what our job is, we tend to wonder how others in the same line of work are faring. And while a good book might not tell you how that writer's life is going right this minute, it does give the reader a good insight to that particular writer's mind. Stephen King and Anna Quindlen come to mind; the former might have trouble trying to write One True Thing or Black And Blue, while the latter might have a totally different spin on Carrie or The Stand.

So, with this blog, I intend to explore the books I've been reading, the authors I enjoy, the stories I plan to read. I'll be posting my first book/author post in the near future; it will probably deal with Anna Quindlen, exploring her novels (mostly) and her books based on her articles.

One last thing: If you have a book you absolutely love, a favorite author, or a book that you feel people should steer clear of, please feel free to post a comment.